The Republic of Crisfield
A backwater town, chosen by fate to take on overwhelming force and villainy, with only their humanity and good sense to do what matters most. An American Tale
by
Book Details
About the Book
In this novel the lead character, Ben Wright, has solved the most vexing problem in physics, the Unified Field Theory. The moment he attempts to make it known, all hell breaks loose. Ben discovers, to his dismay, that his ideas are not his own. After a failed kidnapping attempt by a terrorist cell, the U.S. government, recognizing the weaponry potential, claims ownership of the theory.
Fearful that the theory, in the wrong hands, may do harm to humanity, Ben flees for cover to his native home Crisfield, Maryland, on the Chesapeake Bay. It is there that science and technology collide with the residents of the town in an epic confrontation, involving the U.S. government and the terrorists.
While Crisfield may seem to be an unlikely place for a showdown having world-wide implications, it is revealed in this backwater town, through its wonderful cast of characters, that the moral and ethical compass still points to true north, to the direction we must take if we are to survive into the future.
About the Author
Born in 1944 on the Eastern Shore of Maryland in the town of Crisfield, Don, was raised in small town with big outdoors. He grew up roaming the woods, marshes, rivers, bays of the Chesapeake. At the age of thirteen, he was allowed to hunt and was introduced to the world of duck decoys. In the small town atmosphere, where everyone knew everyone else, Don soon gravitated to the grand old masters of decoy carving, Lem and Steve Ward, who lived down the road a mile. Under their patient and informal instruction, he learned the art of carving and painting, as well as gained a deep and lasting appreciation of the storytelling tradition shared by community. This love a good story carries forward fifty years later to this book. Though Don roamed the world he never encountered a place with a more developed sense of humor and down-home wisdom usually communicated by stories and incidences from life. The Ward Brothers were exemplary at this being both poets and sages and at the same time over 70 years fathering the art form of painted wildfowl decoys and sculptures in wood. They made lasting impressions on young Don as he listened to them recount stories and recite poetry, all having a message and moral behind them. Many of their original carvings, which they sold for a few dollars for most of their lives, later became national treasures. A decoy they sold in 1923 for $1.50 recently fetched $95,000 at auction. Don’s artistic talent led him to Pratt Institute in Brooklyn, New York, where he studied Industrial Design from 1962-1966, a profession that combined his family's cutlery manufacturing business with his interest in art and design. At Pratt, he developed a great interest in Buckminster Fuller’s geodesic and synergetic work and began his own explorations and discoveries into the science of form and structure. He was given a full scholarship to attend graduate school at Illinois Institute of Technology in Chicago, IL and was scheduled to interview at MIT in Boston, MA, when he received a notice from the draft board, rejecting his request to attend graduate school. Don was allowed to join the Peace Corps and served in Ecuador from 1967-1969, working with a craft cooperative project in the Andes making modern furniture. Before Don’s tour was up, the co-op received sizable orders for this furniture from several major department stores in New York City. Returning to the States in 1969, Don married Victoria “Moo” Moller and together they set off with there back packs for an around the world trip leaving San Francisco on a old freighter for Japan. Since Ecuador, Don and Moo had kept elaborate journals and sketchbooks that became numerous as they journeyed through Japan, the Philippines, Vietnam, Malaysia and Sri Lanka, arriving in India in the fall of 1970. Traveling throughout India and Nepal, they reached the Sivananda Ashram in December of that year to begin a course at the Yoga Vedanta Forest Academy at the Ashram. There they encountered the sages of the East and meet their guru, Swami Chidananda. This year changed everything. Don theoretical and artistic work under the influence of Indian metaphysics took a decided turn for the better. This encounter introduced a radically different way of viewing reality, which was to have a profound influence on Don’s later discoveries in form and structure theory, work he had continued privately since college. Returning to the States, Don and Moo settled in Dallastown, Pennsylvania and had two children Matthew (1975) and Christiana (1979). Don returned to bird carving and soon his works were sought by galleries and collectors across the country, including the Smithsonian Institution; The White House, and the patrons of Trailside Galleries, Wild Wings Inc and Crow’s Nest Trading. After the Three Mile Island incident, the family moved from the area to Mt. Airy, MD in 1980 where they built a solar home and workshop. In 1985 Don started Overboard Art, Inc., to reproduce his bird sculptures at prices affordable to the general public. www.overboardart.com In the late nineties he spent a year and a half creating “The Six Million”, a 20’ x 9’ foot painted sculpture memorializing the Holocaust, on view at the Jewish Community Center of York, PA. http://www.yorkjcc.org/culture_holocaust.html Don’s continues his work on “Field Structure Theory” and has presented his discoveries to scientific groups, meeting at the University of Cambridge, UK, Univ. of Connecticut, Univ. of New Mexico, George Mason Univ., VA, Rutgers Univ., Princeton, NJ, Rhode Island School of Design and SUNY Oswego. He is presently working on a non-fiction work in physics and the science of structural skew topology. www.fieldstructure.org