Documentary Film

About the Book

Documentary Film: A Primer provides a succinct introduction to the nature of the documentary, drawing on examples from the work of Robert Flaherty, Dziga Vertov, Leni Riefenstahl, Woody Allen, Warren Beatty, Spalding Gray, Cindy Sherman, Susan Sontag, and others. The documentaries discussed cover a range of subjects including the Russian Revolution, the Holocaust, and the worlds of fashion and sports. This incisive foray into the essentials of documentary is then buttressed by an in depth discussion of the career of Jill Craigie, a British director/writer who brought to the cinema an uncompromising socialist and feminist perspective during the Second World War. How Craigie got her films produced by a major studio, and why her work could not be replicated in postwar Britain, reveal not only the way documentaries are made but also why they remain a controversial and problematic genre.

A selection of Rollyson's reviews of contemporary documentaries provides a model for discussing the genre. Students and fans of documentaries will find his list of classic documentaries on VHS and DVD and his excerpts from other critics of the genre of special interest. His topics for discussion section make this book a valuable resource for teachers as well.

About the Author

Carl Rollyson?s film criticism has appeared in Magill?s Cinema Annual, Video Hound, his biographies of Marilyn Monroe, Lillian Hellman, and Susan Sontag, and in the forthcoming To Be A Woman: The Life of Jill Craigie. He teaches classes in documentary film at Baruch College, The City University of New York.